With his new found memories, Kane has the power to seal the deal and confirm Castalia as the Pirate King.
For once it's not a woman aiding a man reach his goal, it's the other way around... but wait a minute... Kane has always been an enabler so did we really not see this coming? Kane enabling others reach their goals and fulfill their full potential is not new! It was always there, wasn't it? So it's no surprise. Isn't that also one of the reasons why he digs it so much when he sees people come forth and states who they are and who they want to be? It's the nature of the White Witch hahaha.
Now Gemma's reaction was mistaken for Castalia coming back. Of course Gemma is a little part of Castalia so there's no doubt about the fact their reactions would be similar. What part of Castalia do you think Circe went and tapped into to pull out Gemma? Her curiosity, her desire to explore and see the world, her desire for knowledge.
But think about it: the fact that Benie chose Circe as a name for her new self doesn't it make it sound like she is subliminally trying to connect with her past? She doesn't seem to like Circe, she turns men into pigs, but it's Kane's favorite story. So she chose something he likes.She turned into something she would hate, yet she chose the name of something he likes.
You remember the 2 Villy right? The one to the left is Wilson Kane (Castalia and Callimaco's father - and the other girls too of course), the one to the right is Villy Blathasar aka Guglielmo Papadopulos who marries Amelia after Wilson Kane bails on her. (In the middle is Gilbert Sullivan, the ex pirate king and Circe's father)
Still that's where Villy takes Pandora, to Eve's brothel and this is where the poor woman hides with her child for what looks like... years. All the while keeping silent, so that nobody would discover and find her, all the while having put a counterproductive illusion on her son. (actually two).
Of course here Pandora is jumping to conclusion quickly but honestly if you knew your husband is keeping the Turks away and all of a sudden the Turks appear at your door what would you think? They must have defeated him - and especially if you have been in this suspended/hiding condition for years this is a point in life where all hopes seem to die.
As we all know the moment she starts speaking she is casting illusions and the words she is saying are quite powerful, on top of things Kane's singing amplifies their effect.
We know that illusion don't work on children and animals because their senses are brand new, at least Circe's illusions don't. Pandora though is a fully trained white witch, coming from generation and generation of witches before the diaspora of the sisterhood - while Circe never completed her training and is mostly self taught - she also manages to cast illusions on her son because it is her son she is casting illusions on (and children have this secret desire to be n.1 in their mother's eyes and undying trust on their parents).
Of course Josh is impacted twice by a person who is like another mother to him and his brother.
Pandora's "be nice to all girls" and "you cannot sing" are stronger and stay and as long as Kane cannot hear his mother talk... he cannot sing.
(That's why he begins to sing again in the Circeius, where Dora lives.
Yes and he also sang once on the ship, right after Castalia broke the "Balthasar is perfect" - another proof the Circe's illusions are not so lasting but somehow scramble him and confuse him real good.)
In fact they confuse him so - and this boy has way too many illusions binding him - that he remembers fact from his life differently. Including the fact that Circe started the fire by throwing the powder for the green smoke in the fireplace, when all the while he thought of himself as an S.o.b. and a bad boy and of course he remembers everything else differently: who his mother was, who actually did attack his mom and so on.
Now down to my favorite topic. I love a good villain like anybody else. In fact I believe being a villain is a very difficult task and I like when villains have strong motivation that turns them into antagonists whom, at one point in life, took a wrong turn, made a few mistakes, chose the wrong choice and then embraced the consequences and continued with it.
In a lot of the stories I read... the villain is redeemed and rescued and then the story ends and I am always left puzzled to think: wow, if that was me, I don't think I could live with myself anymore no matter how much people forgive me I cannot forgive myself and I'd rather die.
Nobody ever thinks about the most important factor in villain redemption: if the villain goes back to being his old good self, the villain has to live and bear the consequences of all the things she/he had done when being wicked.
Being an antagonist is not an easy job, especially if you think you are right and you did suffer for 30 years and are driven by rage and revenge and all those ugly feelings.
So how would Benedetta survive knowing she sent her little brother off on his own to fend for himself and a demented brother (and later on tried to kill him too), wiped her "mom"'s memory, used her father against the Balthasars and so on? How would she keep sane of mind knowing she hurt the people she loved and who loved her?
Benedetta is not strong enough, Circe knows it, Bendetta would not survive.
She was cursed into something she did not want to be. She had to struggle with it her whole life, fought against the cruel nature, and when she finally managed to come to terms with it and finds peace of mind (and uses what she has become to put the pieces of her life together) she is offered a lifetime or remorse and despair? Why would she want to be broken again after it took her so many years to mend herself? She is whole right now.
Circe is whole right now that's why she is saying "I am not broken, I need no fixing". People assume she is broken but she is not, so why would she want to be broken again? Because she would break if she reverted, she would not be happy at all, she would be utterly miserable and die consumed by guilt. (personally I'd rather die than live in remorse). I believe that redeeming a villain is the selfish act of a hero who wants to feel good about himself but is not thinking about the well being of the Villain - killing the villain would be a more merciful option.
Thankfully, Kane is intelligent and does not insist he understand because he has to live with the choices and the consequence of what he has done as a child and he knows it's unbearable.
So I am sorry, I could have fake rescued Benedetta and give the readers cheap feels, everybody is in tears and happy, but that would have been Out of character (she would have died of sorrow and then Kane would have to live with Benedetta's death on his hands ) and a huge betrayal to the story which is still a story about Acceptance, after all. Circe knows Benedetta and remember her, she keeps her safe in her heart, she has accepted who she is and what she needs to do to survive and her husband loves her no matter what and helps her through thick and thin which is the most important lesson in loyalty here.
I hate "easy ways out" in writing, I like human emotions because they are not perfect and life has a weird way of balancing itself off and tropes, tropes are often applied without thinking and do not consider that a story continues after the words THE END appear.
In short getting rid of Circe and rescuing Benie would not have been a happy ending for Circe but more like a brand new curse.
A bit of a lesson here from a goddess, after all she is a goddess, who tells you the truth about why women dress the way they dress. We are not testosterone driven creatures, supremacy is a thing of beauty haahha.
Exactly what is going on here?
I thought she wanted to leave and see the world, I thought she said: take me away.
But Kane did not invite her (as we say it in Singapore: bo jio). Remember that thing about sister entering people's lives when invited? (almost like vampires)
He said "I am leaving" not "we are leaving". He thinks Castalia does her own stealing so, being the enabler he naturally is, Kane is creating the opportunity for Castalia to emerge and follow the baby, like she said she would.
He is creating the chance for his wife to come and see him soon and he is pretty optimistic about it.
Of course here everybody sang the song from "Bear and the big blue house", right?
I know some of you picked up on this bit so I won't explain too much.
Clearly the cat cannot give up the milk smelling creature she so much love and the man who feeds her hooman food.
Let's not humanize this too much though, I have a strong feeling cats think of all humans as kittens and that's why they are so vocal with us and share their grooming ritual with us.
But the important thing here is that now Gemma will merge Catstalia's absence and the baby's absence in one major feeling of loss and that will have consequences.